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Wednesday, February 16, 2011

Interfaces


With the release of protools 9, amateurs think that investing in an interface is pointless.  These unknowledgeable beginners are under the impression that because this new version of protools does not require an interface to run, like the previous versions of protools, that they do not have to purchase one at all.  These industry new comers are seriously mistaken if they think that just the software is enough to get them through to their careers.

Because this new protools system works so well with out the interface, the consensus with the new comers to the industry is that the required purchase of the interface with the software was nothing more than a ploy to sell the hardware. When in reality the hardware is the only way to record into the program and without the hardware there is really no use for the software. Yes it is true that the hardware can be pricy, but it is 100% necessary for more than 75% of the programs functions.

While there are countless interfaces out on the market, which ones are worth the investment?


Mbox Mini

This interface is a 2-channel USB Audio Interface with 1 Mic Preamp and 1/4" Line/DI. Although this is one of the cheapest at around $330 it is very limited as to how many inputs can go into protools.


Mbox
This interface is a 4-channel USB Audio/MIDI Interface with 2 Mic Preamps, DI, S/PDIF, Softclip Limiters, and Onboard. This interface give just a little more inputs than the mini but is still in the lower levels of professional interfaces. This hardware goes for around $550.


Mbox Pro

This interface is higher up in the hardware food chain providing 8-channel FireWire Audio/MIDI Interface with 4 Mic Preamps, DI, S/PDIF, Softclip Limiters, and Onboard DSP. At $750 this interface is a little less affordable for those only willing to pay the minimum in gear.


Digidesign 003 Rack and 003 Factory
These two interfaces are pretty much the same thing only in different packages. Both interfaces are at the top of the line for protools LE users. Both offer complete functionality with the protools software.
           
003 Rack
           
                8 redesigned discrete analog inputs (4 mic/line/instrument (DI) preamps; phantom power selectable in two channel increments)
                Alternate Source Input for monitoring -10 dBV audio equipment (tape players, CD players, etc.) directly to the monitor outputs
                8 discrete analog outputs, all balanced +4 levels, plus a separate balanced monitor output
                Improved 24-bit/96 kHz converters
                Monitor output includes dedicated volume control knob
                2 Headphone outputs include dedicated volume control knobs
                Word Clock
                8 channels of ADAT optical I/O
                2 channels of S/PDIF I/O
MIDI I/O - 1 input port/2 output ports (16 channels in/32 out)

003 Factory
                Eight redesigned discrete analog inputs (four mic/line/instrument (DI) preamps; phantom power selectable in 2-channel increments)
                Alternate Source Input for monitoring -10 dBV audio equipment (tape players, CD players, etc.) directly to the monitor outputs
                Eight discrete analog outputs, all balanced +4 levels, plus a separate balanced monitor output
                Improved 24-bit/96 kHz converters
                Monitor output includes dedicated volume control knob
                Two headphone outputs include dedicated volume control knobs
                Standalone MIDI controller mode
                Word clock
                Jog/shuttle wheel
                Eight channels of ADAT optical I/O
                Two channels of S/PDIF I/O
MIDI I/O - one input port/two output ports (16 channels in/32 out)

Monday, February 7, 2011

Pro Tools 9


Avid (a.k.a  Digidesign), inventor of pro tools has once again out done themselves. In the past year and a half the industry standard and world-renowned DAW software pro tools, was reinvented. The company came out with pro tools 8 in mid 2009 replacing the previous 7.4 version. This upgrade was highly anticipated because of its new features that are listed below.

         Pro tools 8
Beautiful, redesigned interface with new enhancements and customizability
Comprehensive collection of professional sound-processing plug-ins, plus 20 new effects
Score Editor and MIDI Editor windows offer comprehensive composing tools
Create a flawless performance using new track compositing features
Check for Updates feature keeps Pro Tools and plug-ins up to date
QuickTime HD support on Mac OS X-based systems
Lock regions to the timeline to prevent them from being moved or edited
Five new groundbreaking virtual instruments for music creation
Expands Pro Tools LE and M-Powered systems to support up to 48 mono or stereo audio tracks
Transpose audio regions in real time with Elastic Pitch
Automation and Controller lanes provide easy editing access
Windows Vista (32-bit Business or Ultimate) support on Pro Tools HD
Use more plug-ins without bussing, with access to 10 inserts per channel
Supports files up to 4 GB, allowing for sessions with longer files and higher sample rates

Of course, with any new software there are bound to be some problems. Well avid, the company behind pro tools does an incredible job of listening to their customers and taking their suggestions to heart. With numerous problems arising, avid started working on all the suggestions given to them and thus was born pro tools 9.

Not only did pro tools 9 (released late 2010) comply with everything that the consumers desired, but it exceeded everyone’s expectations. Pro tools 9 opened up a whole new world of possibilities but eliminating one giant factor. All previous versions of pro tools required a piece of hardware to run the software. This one feature allows the user to open up pro tools where and when ever possible.

This advancement in the software is not the only thing that was added. As a matter of fact the entire program was re-invented and now features all the elements listed bellow.

         Pro tools 9 
Single, Unified Version of Pro Tools
• Pro Tools 9.0 provides a single, unified installer for Pro Tools and Pro Tools HD
• New Pro Tools 9.0 PACE copy protection with iLok USB key
Pro Tools Audio Engine
• Support for Core Audio hardware (including Mac built-in audio with supported Core Audio drivers installed
• Support for ASIO hardware with supported ASIO drivers installed
• New Pro Tools Playback Engine settings
• Current Engine setting for selecting which Audio engine to use
• Pro Tools Aggregate I/O option for using the built in audio on Mac
• Delay Compensation settings for all versions of Pro Tools
• New Pro Tools Hardware settings
• Ability to select Core Audio and ASIO interfaces
• Launch Setup Application command for Core Audio and ASIO audio interfaces
Mixing and Recording
• Increased number of audio and MIDI tracks
• Increased number of internal mix busses
• New Track and Send Output selector commands for faster, simplified signal routing and mixer configuration
• Multiple Stereo Pan Depth options
• 7.1 and 7.0 standard HD surround formats (Pro Tools HD and Pro Tools with Complete Production Toolkit 2 only)
• Support for EUCONTM for controlling Pro Tools with EUCON-aware control surfaces
Import and Export Options for All Pro Tools Systems
• Advanced Import Session Data (formerly Pro Tools HD only, or Pro Tools LE with DV Toolkit 2 or Complete Production Toolkit only)
• Import AAF and OMF sequences (formerly with the Digi Translator 2.0 option only)
• New AAF import features and enhancements:
• New Locators To Import setting for importing locators from Media Composer–generated AAF sequences
• Export AAF and OMF sequences (formerly with the Digi Translator 2.0 option only)
• Avid Interplay Support with Mac
• Ability to check data into and out of Avid Interplay directly with the Interplay Access browser
• Export MP3 (formerly with the MP3 Export option only)
• Export Session as Text (formerly Pro Tools HD only)
What’s New for Pro Tools LE Users
I/O Setup Improvements
• Session and System settings
• Output and internal mix busses
• Ability to Import I/O Settings by page
• Overlapping Paths
• Improved session interchange
Advanced Digi Base Features
• Advanced search features
• Digi Base Catalogs
Editing Features
• Auto-Scrolling tracks in the Mix and Edit windows
• Advanced Beat Detective features
• Separate multiple tracks
• Collection mode
Delay Compensation
• Delay Compensation option, engine, view
• Low Latency Monitoring During Recording
• Delay Compensation on Auxiliary Input tracks, MIDI

As you can see from all the added features, pro tools 9 really stepped up its game. Combining the old pro tools software with the more advance and professional pro tools HD allowed avid to give the customers what they wanted and even what they didn’t know they wanted.

Pro tools 9 has again raised the bar on what is considered the industry standard and I can not see any of the competitors stealing that title.